Another year, another horror-thon comes to a close. It’s my second year of doing nothing thanks to bastards who won’t wear masks or social distance (thus, creating new variants, sigh) – or, at least, those who are in the position of doing so but choose not to. Fucks. I went for a run, which is the only way I’ve been leaving the house these past few months, and I guess maybe I shouldn’t have been whisper-singing along to that PJ Harvey song since I choose to run at night like a fucking weirdo.Continue reading
Short and mostly sweet, Netflix’s Korean horror short anthology series Goedam seems to be as much of a mixed bag as the Nordic one Bloodride.
There’s not much to say about this since episode one is less than 10 minutes in length, but Crack follows a fairly simple story: a young schoolgirl is haunted by something in a bathroom.
My OCD got chills, so perhaps I’m biased. But why do people sit on a toilet seat knowing that other people have blasted bodily fluids on and around it? Why does she put her hands and FACE on the floor – the gross floor in front of the toilet itself – to see if someone or something else is in the toilet? At that point I would have just given myself up to the ghost as long as I didn’t have to touch anything but alas, my OCD was further triggered by events I shan’t spoil. It’s typical short-film format, though: the scare is always at the end. With Crack, it wasn’t worth the wait for me.
When I saw the synopsis for Netflix’s new French offering La Révolution, I noticed ‘horror’ as the genre’ and the word ‘disease’, so I assumed it was going to be French Revolution-era zombies, sort of Kingdom meets Les Mis. It’s sort of…not. The first two of the total four episodes were more muted than I thought it was going to be.Continue reading
I can safely say that Marianne is the most frightening title on Netflix. Created by Samuel Bodin, this eight-episode French horror series scares the shit out of you by using the oldest genre tropes that are so insidious they will lurk in the back of your mind long after the closing credits.
As a lifelong Archie comics fan, I was excited for this series. I’ve read the excellent (and no-punches-pulled) comic series Afterlife with Archie, but I never got around to reading its spin-off, Chilling Adventures of Sabrina [why isn’t there a ‘The’?]. Luckily, this Netflix series has talent from both series onboard as series developer and writer (Roberto Aguirre-Sacasa).
I am so ill I am legit struggling to comprehend how Twitter is telling me that is is simultaneously National Baking Week and National Chocolate Week. Either way, this is the perfect day to write a belated post on Netflix’s latest baking show, which happens to be exactly the kind of spoopy, quirky food programme I would have wanted growing up as a kooky little goth girl.
Despite what I’ve accidentally read about his personal life, director Mike Flanagan‘s expertise is in family-centric horror. It shows in Netflix’s latest horror offering The Haunting of Hill House, his adaptation of the novel by legendary genre writer Shirley Jackson.
What a game-changing episode. Two episodes in of k-drama Black and I’m pleasantly surprised by the sharp curveball this show has thrown me. Up until now it’s been a drama with police procedural elements but with a greater focus on the characters – the quirkiest of which is a wholly different kind of psychic. But since that apparently wasn’t enough, we’ve got an ENTIRELY new set of characters and literally a whole other world with its own rules, subplots and twists and turns thrown in.
We’ve literally only been watching half of the show up to this point.
I’m excited to see where these new developments are going to take us. There’s new sources of humour, new in-world rules and details, messier relationships, and compleely new plot dynamics. I thought the show was already cooking before, but it’s bloody marinating in itself now.
“Television Terror”, episode 16 of season 2 of Tales from the Crypt, has cheese in all the right places. I love a good haunted house tale, especially when a loutish dick of a main character has to undergo its torture. Said tool is a news presenter (Morton Downey Jr) keen to boost ratings by doing a sensationalised report from within an abandoned murder house.
Yes, it’s predictable right up until the very end, but it’s bloody good fun: gore, spooks, bug-eyed overacting – it’s an episode to play alongside a popcorn-hurling drinking contest.