I don’t think it’s cheating to use a Korean drama series for my horror-thon, seeing as an episode tends to run near-feature length (almost 70 minutes here), and Netflix is adding more and more kdramas since they started getting more popular (and all I can say is fuck yes). Watching via Netflix Party (now TeleParty), I let a kdrama-virgin friend pick from a pool of candidates and he went with Mystic Pop-up Bar, a Netflix Original.Continue reading
Despite what I’ve accidentally read about his personal life, director Mike Flanagan‘s expertise is in family-centric horror. It shows in Netflix’s latest horror offering The Haunting of Hill House, his adaptation of the novel by legendary genre writer Shirley Jackson.
I have waited for this. I was so excited. And the first episode of SyFy’s blindingly brilliant horror anthology series Channel Zero did not disappoint.
No-End House is the only Creepypasta I’ve ever read – I’ve not even read the famous ones like Slenderman or Jeff the Killer – but, much like Candle Cove before it, this expands on the source material in a faithful way, while reaching new heights of trippy, creepy production design.
Starring both Jon Lovitz AND John Astin (with a cameo from Sandra Bernhard on the day that I was just thinking, “Whatever happened to her?”), this ended up being one of my favourites, not least because its creepy undertone and series of reveals reminds me of about a dozen cheesy horror stories and urban legends I voraciously consumed when I was a teen.
In “Top Billing“, episode 5 of season 3 of Tales from the Crypt, the former – a curious mix of a smug, pretentious yet failing and mediocre actor – answers the latter’s ad for an amateur production of Hamlet. Marginally more successful fellow actor Winton (Bruce Boxleitner, a name I’ve always enjoyed reading) shows up to audition just to try piss Lovitz’s character off, and piss him off he does.
Events take a predictable turn – then…
(SPOILERS AFTER THE JUMP)