My Name is a Korean TV show that doesn’t need much introduction, based on how Netflix has been pushing it – and I’m glad it debuted in the top 10 (at least where I can see it in the UK), even if it might have dropped off lately (probably because of new releases and viewing habits relating to Hallowe’en). It also probably shouldn’t count as a horror-thon entry, but I decided it would last night at around 2 am when I wasn’t feeling well last night and had forgotten to put on an actual film. So there.Continue reading
Short and mostly sweet, Netflix’s Korean horror short anthology series Goedam seems to be as much of a mixed bag as the Nordic one Bloodride.
There’s not much to say about this since episode one is less than 10 minutes in length, but Crack follows a fairly simple story: a young schoolgirl is haunted by something in a bathroom.
My OCD got chills, so perhaps I’m biased. But why do people sit on a toilet seat knowing that other people have blasted bodily fluids on and around it? Why does she put her hands and FACE on the floor – the gross floor in front of the toilet itself – to see if someone or something else is in the toilet? At that point I would have just given myself up to the ghost as long as I didn’t have to touch anything but alas, my OCD was further triggered by events I shan’t spoil. It’s typical short-film format, though: the scare is always at the end. With Crack, it wasn’t worth the wait for me.
Time for more K-drama!
Psychopath Diary is a bit slower to get into because the real story doesn’t kick in until the last few minutes of the first episode (as is true for many kdramas), but feast your eyes on this premise:
Yook Dong-sik (Yoon Shi-yoon), a young, doormat of an office worker and full-time cinnamon bun gets retrograde amnesia after being hit by a police car following a suicide attempt. However, he doesn’t remember that he’s witnessed a murder and, because he’s later found with the murderer’s diary on him, thinks that he himself is the titular psychopath, and scrambles to keep his ‘identity’ a secret from everyone around him.
I don’t think it’s cheating to use a Korean drama series for my horror-thon, seeing as an episode tends to run near-feature length (almost 70 minutes here), and Netflix is adding more and more kdramas since they started getting more popular (and all I can say is fuck yes). Watching via Netflix Party (now TeleParty), I let a kdrama-virgin friend pick from a pool of candidates and he went with Mystic Pop-up Bar, a Netflix Original.Continue reading
I am so ill I am legit struggling to comprehend how Twitter is telling me that is is simultaneously National Baking Week and National Chocolate Week. Either way, this is the perfect day to write a belated post on Netflix’s latest baking show, which happens to be exactly the kind of spoopy, quirky food programme I would have wanted growing up as a kooky little goth girl.
Despite what I’ve accidentally read about his personal life, director Mike Flanagan‘s expertise is in family-centric horror. It shows in Netflix’s latest horror offering The Haunting of Hill House, his adaptation of the novel by legendary genre writer Shirley Jackson.
What a game-changing episode. Two episodes in of k-drama Black and I’m pleasantly surprised by the sharp curveball this show has thrown me. Up until now it’s been a drama with police procedural elements but with a greater focus on the characters – the quirkiest of which is a wholly different kind of psychic. But since that apparently wasn’t enough, we’ve got an ENTIRELY new set of characters and literally a whole other world with its own rules, subplots and twists and turns thrown in.
We’ve literally only been watching half of the show up to this point.
I’m excited to see where these new developments are going to take us. There’s new sources of humour, new in-world rules and details, messier relationships, and compleely new plot dynamics. I thought the show was already cooking before, but it’s bloody marinating in itself now.
“Television Terror”, episode 16 of season 2 of Tales from the Crypt, has cheese in all the right places. I love a good haunted house tale, especially when a loutish dick of a main character has to undergo its torture. Said tool is a news presenter (Morton Downey Jr) keen to boost ratings by doing a sensationalised report from within an abandoned murder house.
Yes, it’s predictable right up until the very end, but it’s bloody good fun: gore, spooks, bug-eyed overacting – it’s an episode to play alongside a popcorn-hurling drinking contest.
The 16th episode of season 6 was pretty forgettable, despite vampires in the Alaskan wilderness. I honestly can’t find anything memorable to say about it, so I’ll just jump straight to the score.